（通讯员 周杨 摄影 车致远）2025年9月29日，由中国传媒大学和英国诺丁汉特伦特大学联合主办的中英博物馆研究交流研讨会成功举办。本次会议在北京市文物局的指导下开展，并得到了北京市文博发展中心、北京市对外传播交流中心和北京古代建筑博物馆的大力支持。中国传媒大学来自巴西、德国、坦桑尼亚等13个国家的留学生代表及北京市青年人才代表等共计40余人参与其中。本次活动旨在加强国际学术合作，推动中外文化交流互鉴，促进中英两国博物馆领域的学术研讨与经验分享，搭建两国文博行业对话合作平台，助力文博事业高质量发展。
活动在北京古代建筑博物馆庆成宫举办。庆成宫原名斋宫，建于明天顺二年（1458年），清乾隆二十年（1755年）更名庆成宫，并改建其连廊与墙体形成今日格局。庆成宫建筑群坐北朝南，轴线自南向北依次建有头宫门、二宫门、正殿、后殿，院落东西两侧分别建有宫门与配殿。庆成宫在明代时，是供皇帝在举行先农祭祀前斋戒的场所。清代经改造后，成为皇帝耕耤礼成后赐茶、行庆贺礼的场所。
研讨会前，特邀北京古代建筑博物馆的讲解老师为参与活动的专家、青年学者及学生代表做了详细的讲解。通过实地参观，他们对中轴线、先农坛及古建馆的现状、历史及独特价值有了较为深入的了解。
交流研讨会由中国传媒大学国际传媒教育学院院长金雪涛主持。诺丁汉特伦特大学文化遗产教授、联合国教科文组织英国全国委员会文化领域副主席麦克·罗宾逊对《重思中英遗产的未来》国际联合课题的成果进行了汇报。随后中外专家及青年学者们围绕“重思中英遗产的未来”这一主题，相继登台作主题演讲，剖析遗产管理领域的重点难点问题。各方围绕创新路径展开深入交流，为遗产管理提供多元思路。北京古代建筑博物馆研究 馆员张敏以《从世界文化遗产的角度看先农文化的传播》为题作主题演讲；清源文化遗产保护团队传播教育中心安南旭以《多元社区参与下的遗产教育与数字化中国实践》为题作主题演讲；北京语言大学新汉学计划国际中文教育博士研究生麦克·勒鲁以《卢浮宫与国家博物馆的比较》为题作汇报；Image. ai CTO, Ta-f/Fakeart联合创始人宋雨函以《数字文博：让文博在云端活起来》为题作案例分享；电影特效和3D动画行业资深制作总监、美术总监和AIGC负责人马屹锴以《陕文投书画垂类AI应用》为题作案例分享；在座的青年人才代表及高校外籍留学生代表踊跃发言，积极和与会专家互动。
诺丁汉特伦特大学文化遗产教授麦克·罗宾逊（英国）
北京古代建筑博物馆研究馆员张敏
清源文化遗产保护团队传播教育中心安南旭
北京语言大学新汉学计划国际中文教育博士研究生麦克·勒鲁
Image. ai CTO, Ta-f/Fakeart联合创始人宋雨函
电影特效和3D动画行业资深制作总监、美术总监和AIGC负责人马屹锴
在座的青年人才代表及高校外籍留学生代表踊跃发言，积极和与会专家互动。
学生感想
Dhanusha Liyanage (中国传媒大学斯里兰卡籍留学生)
Reflections on the Conference: Rethinking Heritage Management in China and the UK
Yesterday, I had the opportunity to attend the conference on “Rethinking Heritage Management in China and the UK”. The day began with a visit to the Beijing Museum of Ancient Architecture, where we were able to observe and appreciate the richness of China’s architectural heritage. The visit provided a meaningful backdrop for the discussions that followed. The conference was attended by a diverse group of participants, including project partners from Chinese universities and Nottingham Trent University, experts from the Beijing Municipal Cultural Heritage Administration, Chinese and international scholars, as well as faculty and student representatives from the Communication University of China. The keynote speeches by Professor Robinson and Professor Jin were particularly insightful, as they presented the findings of an international collaborative research project highlighting cross-cultural approaches to heritage management. Nanxu, UNESCO (China) Culture Project Manager, further enriched the discussion with a speech highlighting the global importance of cultural preservation. In addition, case studies from experts in China offered practical perspectives on the challenges and opportunities facing heritage and museum work today. What stood out to me most was the spirit of collaboration across cultures and institutions, especially the efforts of experts to maintain the value of these heritage sites by blending the use of technological techniques with architectural techniques. It highlighted the importance of a shared responsibility to protect and rethink heritage for the future. The discussions deepened my understanding that heritage is not only about preserving the past but also finding innovative and sustainable ways to connect it with future generations. During the discussions, various issues in the field of heritage management were raised, along with possible solutions. Some of these approaches proved to be very successful, while others highlighted the complexity of balancing preservation with contemporary needs. A key takeaway for me was the understanding that cultural heritage cannot be confined merely to old ruins or ancient buildings. While these physical structures are important, heritage also embodies the human stories, values, and cultural practices that give those structures meaning. Looking at heritage from this human-centered perspective allows us to see not just relics of the past, but living connections that continue to shape identity and inspire reflection in the present. This approach makes heritage management even more significant, as it shifts the focus from material preservation alone to fostering cultural understanding and shared memory.Overall, the conference was inspiring and thought-provoking, and reinforced the important role of dialogue, research and collaboration in heritage management.
Mugisha Nshuti Christian（中国传媒大学卢旺达籍留学生）
I experienced a silent awakening during my visit to the Beijing Ancient Architecture Museum. Entering there was like entering a new place completely. The setting's genius was what initially caught my attention. The Altar of Agriculture, where emperors once walked, is a living piece of history that you are exploring rather than merely passing through exhibitions. The difference is entirely made by this instant immersion. You're standing in the center of history, not just learning about it.After that, you enter another hall and see the enormous structure that was constructed without the use of nails. It is an act of pure art to follow the intricately interlocking wooden brackets, or dougong, with your eyes. Reading about the idea is one thing, but standing beneath it and experiencing the presence of the skilled artisans whose hands and minds made it a reality centuries ago is quite another.I think the museum's use of the space is fantastic. The actual architecture all around me was perfectly complemented by the models and diagrams.It's a peaceful haven that restores your sense of awe for the ancient world; it's more than just a museum. It's a place that evokes the respect and wisdom that went into creating things, in addition to showing you how they were constructed. From beginning to end, it was an absolutely incredible experience.
Ahmad Waleed(中国传媒大学巴基斯坦籍留学生)
Our recent educational visit to the Ancient Architecture Museum was a profoundly enlightening and inspiring experience. As students, we walked into the museum with a basic understanding of history, but we walked out with a deep, visceral appreciation for the genius and spirit of Chinese civilization, as expressed through its built environment. The museum offered more than just a display of old relics; it provided a captivating narrative of China's architectural evolution, making its history feel immediate, tangible, and truly amazing.
The journey began with exhibits on ancient wooden structures, particularly the magnificent Dougong bracket systems. Seeing these complex interlocking wooden pieces, assembled without a single nail, was a humbling sight. It was not just a display of technical skill but a lesson in philosophy, demonstrating a harmony between humanity and nature that is central to Chinese thought. We learned how these techniques allowed buildings to withstand earthquakes for centuries, a testament to the incredible foresight of ancient engineers. Moving through the halls, we witnessed the evolution of infrastructure, from the grand imperial palaces that symbolized celestial order and political power to the elegant and practical designs of traditional residential courtyards, which reflected the Confucian values of family and hierarchy. Each model, diagram, and restored artifact told a story of cultural values, social structure, and technological innovation that has been foundational to China's identity for millennia.
A particularly exciting section of the museum highlighted its ongoing collaboration with the University of Nottingham in the United Kingdom. This partnership stands as a powerful bridge between traditional wisdom and modern scientific inquiry. We saw firsthand how this international cooperation is pushing the boundaries of architectural preservation and innovation. For instance, researchers from Nottingham are using advanced digital scanning and 3D modeling technologies to create incredibly detailed records of ancient structures. This digital archiving is crucial for preserving the precise dimensions and construction methods of heritage sites that are vulnerable to the passage of time and environmental damage.
The collaboration extends into the laboratory. Joint research teams are conducting scientific analyses of ancient materials, such as the mortars and paints used in historical buildings. By understanding the chemical composition and properties of these traditional materials, they are developing more effective and historically accurate conservation techniques. This fusion of British scientific rigor with China's rich architectural heritage is a perfect example of how global knowledge exchange can serve a greater purpose. It is not merely about studying the past, but actively safeguarding it for future generations while gaining insights that can inform sustainable building practices today.
Lastly our trip to the Ancient Architecture Museum was an unforgettable journey through time. It brilliantly illustrated the depth of China's historical and infrastructural achievements. More importantly, it showed us that the past is not a closed book but a living resource. The museum’s forward-thinking collaboration with the University of Nottingham proves that ancient craftsmanship and modern technology can work hand-in-hand, ensuring that the lessons from China's architectural masterpieces continue to inspire and guide the world.
